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Utica, NY, 2004 Drawing Conclusions ISLIP ART MUSEUM, NY curated by Keith Miller catalogue , 2004 IIII site specific public project Queens Theater, Flushing-Meadows Corona Park, New York, curated by Monica Montagut, 2003 KOAN TRIANGLE STUDIOS, DUMBO Arts Festival, 2003 TIMEslice TRIANGLE STUDIOS New York, NY, 2003 THE ARMORY SHOW, Galleria Jakob Karpio New York, NY, 2003 THE OUTLAW SERIES curated by Lisa Kirk, New York, NY, 2003 BIBLIOGRAPHY ArtNexus, Diana Cardenas, waterLINE Queens Museum of Art, Volume 78, 2010 Sculpture Space [the Book], Brodock Press, New York, 2007 Takeshita, Akiko, Art 51, Kyoto, Japan, 2004.

The movement of her gestures rises from organic connection to surfaces and allows the artist to blend her body into the architecture and resort to drawing as the most direct expression of thought.

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underLINE in Kyoto — a documentary.

Dir, Ken Okano, Independent television documentary, Kyoto, Japan, 2004.

Aqui Estoy HOY July, 2004.

Vieira creates optical abysses and one may accompany the experience in an eye-body exercise: delve into the content between the continuous line once whiteness becomes a source of exploitation by the senses, a sensuous fluidity leading to fundamental questions about existence.

Alternatively, it is possible to make an attempt at counting the number of threads in order to measure the equidistance, abstraction and physical integration which shows a kinship with art as redefined by Lygia Clark.

Architectural Topographies Project, METROPOLIS, TV Cultura Sao Paulo, Brazil, 2004.

Studio Art Instituto de Artes Universidade Federal RS, Brazil B.

Claudia Vieira Born in Porto Alegre 1964 , Brazil Lives and works in Brooklyn, NY EDUCATION MFA Pratt Institute, Sculpture and New Forms, NY, 2002 New York Studio School of Drawing, Painting and Sculpture NY B.