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What makes this artless enterprise rather of-the-moment, and therefore able to be taken seriously by a festival like Cannes, is that its would-be female payback theme technically plays into the present political climate of women taking charge of the sexual equation, an issue heightened here because the teenage characters are all French Muslims.

Written by the director together with Anne Sophie Nanki, Souad Arsane, Inas Chanti, Mehdi Dahmane and Sidi Mejai, the story hinges on a question: in the absence of her sister, Rim, what was Yasmina doing in a car park with their boyfriends Salim and Majid? The two young women are in overdrive, too — though one of them, at least, gets the chance to wake up.

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A certain constituency may defend it on political grounds, but on a moment-to-moment basis the film is madly over-the-top, almost unbearably so at times, and hardly surprising in its point of view.

that anything gay is worse than rape, but once Rim offers Majid a hypothetical example that includes his father and sister, he begins to see it differently.

On a very unpleasant double date, Majid proves so obnoxious that they get kicked out of an outdoor dance party.

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08 million and was shot over 18 days, with Georges Lechaptois serving as DoP.

Yet why is this sleek bald black stud photographed nude and erect , when all the other sex in the movie is filmed relatively discreetly? We witness sexual violence not innocuous fumbling, and the comeuppance is too neat and puerile to be satisfying.

Arsane and Chanti truly seem like sisters, with a pillow-talk intimacy that can edge, in a flash, into prickly competition.

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