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Admin02.09.2021

Thompson's Bank of Communicable Desire: All you get is sensory titillation

It's part of a value-added experience that you obviously need to create for yourself.
Admin01.07.2021

INTERVIEW: Gemma Brockis And Writer/Director Amber Sealey Talk To Me About ‘No Light And No Land Anywhere’

Art need not be self-expression, simply expression.
Admin25.06.2021

Gemma Brockis

for me i mean for myself, its important to acknowledge it in the terms i am thinking of it becuase i sense it in the theatre, whether or not i'm asked to, and it can make me feel uncomfortable if i feel like i'm supposed to pretend it's not there.
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Admin06.07.2021

Jane Wymark Bio, Affair, Married, Husband, Net Worth, Ethnicity, Age, Nationality, Height, Actress

They do share a few factors though - the journey of the audience through the space is a crucial structure as text although those texts are otherwise completely distinct - the event feels like an adventure for its audience.
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Admin28.07.2021

INTERVIEW: Gemma Brockis And Writer/Director Amber Sealey Talk To Me About ‘No Light And No Land Anywhere’

Not just a better characterisation because it is active and therefore more suitable for play, but because I think it's more accurate.
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Admin15.07.2021

Thompson's Bank of Communicable Desire: All you get is sensory titillation

Now, sure, I think Cooke is quite wrong to suggest that the formal organization of work cannot in itself be a kind of "argument" or "provocation".
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Admin08.08.2021

Jane Wymark Bio, Affair, Married, Husband, Net Worth, Ethnicity, Age, Nationality, Height, Actress

Likewise a Rembrandt self-portrait is not supposed to be mistaken for Rembrandt.
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Admin12.08.2021

Thompson's Bank of Communicable Desire: All you get is sensory titillation

Partly, of course, at the moment, that's because I'm not working at all; this is probably the longest fallow period I've had since I started freelancing, and I have to admit it's doing my head in.
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Admin22.07.2021

INTERVIEW: Gemma Brockis And Writer/Director Amber Sealey Talk To Me About ‘No Light And No Land Anywhere’

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Admin27.06.2021

Dr Catherine Maffioletti

and I don't at all dismiss them or what they're doing.
Admin12.07.2021

INTERVIEW: Gemma Brockis And Writer/Director Amber Sealey Talk To Me About ‘No Light And No Land Anywhere’

I remember saying to Lyn G in 2000 after The Tempest that the basic philosophy behind it was that theatre is an experience you have rather than a place you go: and I've had that line quoted back to me more than once by other interviewers and such.
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